John David Anderson
Canadian Contemporary Impressionist
There is a joy in painting and learning to see with a new set of eyes from a point of view that goes well beyond mere object identification. I look to find compositions that provide an opportunity leading to an emotion-driven desire to paint a response. Building a composition from the elements of shape, value, and colour that engage the viewer with a light story. That is me.
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Canadian - because I am..., Contemporary - because I am alive, and an Impressionist - because you have a pretty good idea of what you might be looking at in my work....
There is a brush in my hand nearly every day.
Writer and painter, Frank Dunn, spoke of it as conversations in paint. Within me are ways of seeing which are mine although they are built upon many traditions from generations of artists and their practices long before me. Painting is a way for me to share the excitement of juicy paint presenting the dynamics of light on surfaces in a space both in subtleness and power. The subject can be anything. Charles Hawthorne, a noted New England painter of the 1920s, wrote that we have a duty to find beauty in the ordinary. I look for elements of beauty within anything that light touches. Pulling out of that light path, I compose a structure of large interactive shapes that are in themselves engaging, bringing the viewer into the space.
Through shifts of edge, value, and colour temperature and hue, a journey begins.
My work is evolving from an oil painter's perspective of brush on canvas. I use paint tonally applied with rich colour and an impressionist character. The subject does not drive composition, but the light movement does.
Sample Artwork
Landscapes in Oils or Acrylics
Date: Sunday, March 23, 2025
Time: 10 am to 3 pm
Where: Tim Horton Studio, FirstOntario Arts Centre Milton (2nd floor)
Fee: Members: $100; Non-Members: $120
Workshop Description
Master impressionist artist John David Anderson will take us step by step through a landscape painting with emphasis on techniques that will improve your paintings.
Materials List
1) Canvas: 12 x 16 or larger up to 16 x 20 or larger for experienced painter – smaller for less experienced painter.
2) Palette: 12 x 16 palette Paper pad
3) Palette Knife: 2-inch-long diamond end
4) Brushes:
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Flats, long handle - synthetic bristle for acrylics, natural bristle flats for oils
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In varied sizes up to 1 inch flat
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Preferably not brights
5) Sketchbook for notes
6) Masking Tape
7) Matte Medium (for acrylic painters)
8) Winsor & Newton Liquin Light Gel (for oil painters)
IMPORTANT! Please no solvents to be used in this workshop.
9) Paint Colours:
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Alizarin Crimson
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Cadmium Red Light
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Cadmium Yellow – not orange-ish, not lemon-ish – in the middle
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Cadmium Yellow Light
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Ultramarine Blue
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Transparent Red Oxide or Transparent Burnt Sienna
Other Colour Options:
Quinacridone Violet, Cadmium Orange, Cobalt Teal, Permanent Rose, Perylene Red, Mixing White
PREPARATION NOTES:​
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For acrylic painters, please seal your canvas before you come with matte medium or Golden GAC100!
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For oil painters, if you seal your canvas with Golden GAC100 and a thin coat of gesso, not watered down, on the dry sealed surface a day before you come, you will be shocked at how wonderful the surface has become.